@jerry1970, here is a Bowie illustration of both possible cases:
Work 1984/Dodo (I like to emphasise the lack of spaces, here) is an assemblage of 1984 and Dodo with slight lyrics change.
Works Sweet Thing / Candidate / Sweet Thing (reprise) are often played in this sequence but medley recordings are linked to three works (in appropriate order).
I think for 1984/Dodo, it’s because of the slight lyrics change that I created a new work for it.
There is a discussion about concurrent concepts of medley works on one hand and recording-work medley relationships on the other hand: