In certain instances, there is an official release of a video game’s soundtrack on CD / digital. Often, there will also be community-produced bootleg version made using reverse-engineered game assets on the internet.
Does it make sense to group them all under the same release group, by game of origin? It’s not unreasonable that one title’s soundtrack might have multiple re-releases, like for instance Streets of Rage.
I’ve made a coupleof game franchise series, but nesting games under that seems a bit complicated?
My thoughts on @Mobes’ question: It really depends on how different they are. Almost all those ones you linked should almost certainly be in the same release group: Same track names and order, presumably the same music.
The Bare Knuckle compilation is probably its own compilation release group, as it has tracks from other games as well? It depends on if you see those extra tracks as ‘bonus’ material, or important enough to be its own release.
Some games have about 10 related release groups (OST, image album, orchestral album, tribute album, etc.).
For those, like FINAL FANTASY, having everything linked to the Franchise, instead of Games, would be too much of an unordered mess.
Hah, that’s sloppy on my part. I pick Streets of Rage by random and quickly looked up some examples, and having the compilation undercut what I was trying to say. Of course the compilation would not be part of the release group.
Generally, I’ve been trying to fill out “Work” entries with game’s soundtracks. So hierarchy would be
Work series (game series) => Work (game) => Work (song)
So any recordings of any game soundtrack release are based on the individual works. “Recordings” become a weird concept when, essentially, encountering music in a game is a new performance every time.
What I’m thinking then is that, Work series of video game series and Release group series of video game series might exist together. In this scenario, the Work series exists over the Release group series, so the Release group series would use the “subseries of” connection to the Work series.
Grouping game soundtracks together in a release group despite different releases over time… like the Streets of Rage example I made pretty badly… makes sense then.
I guess this is what I’m testing, and trying to find an answer to here.
Every release group of releases that contains recordings of music from one particular game should be singular. Recordings of game music can vary even by how many times the music is looped, so there can be wildly different tracklists.
Obviously, compilations etc are exempt from this method
Release groups are meant for releases when tracklists are similar.
Release groups group different editions of the same “album”.
For games I would say that an official soundtrack release would be a separate RG from a game rip, but a game rip of a “complete edition” or “deluxe edition” would be the same RG. Just like a “40th anniversary edition” of a classic rock album is in the same RG as the original.
My rule of thumb for when to group releases is, “Would the release substitute for another in the group” (assuming a casual collector). That is to say, if you wanted to get “the soundtrack for Streets of Rage” you should be able to get any one of the releases in the release group, and be satisfied that you have that thing. You might not have every single bit of music that appeared in the game, and you might not have the exact same version of a track as some other release in the group, but they are generally equivalent. Obviously to the more enthusiastic fan they might want to get every release in an RG so as to have the “complete” set of tracks, but as an approximation it works pretty well.
Specifically for the case of game soundtrack rips, having the original game usually does not substitute. There are a few exceptions: for example, Quake and Grand Theft Auto where the disc game itself contains CD audio and therefore is the soundtrack. Some games on Steam include the soundtrack within the game download; I’d count this as “part of the game”.
Let’s break this down. There are soundtracks, covers, bootlegs, and game-rip bootlegs.
Soundtrack: A proper album release of the game’s soundtrack.
Cover: A fan arrangement album of the game’s soundtrack.
Bootleg: A traditional bootleg, that is to say a copy of the official soundtrack release.
Game-rip bootleg: A different animal altogether, this is taken from either the game files or played back through different emulators or recorded off the game itself. Sometimes, but not always matches the game soundtrack fingerprints.
For the Streets of Rage examples above there are what looks like several different captures of the music on different hardware so in this case you will see more release groups for the official soundtracks because they can’t all be said to be the same source recordings.
Game-rip bootlegs should never be grouped with the official soundtracks because they are sourced differently than those recordings and may have different processing and other differences to the recordings. Generally these recordings are kept separate and have a disambiguation comment noting that it is a game-rip bootleg.
Are there any guidelines for including Game rip bootlegs? Often times there is no standard track listing since the order and name just depends on the person doing the ripping. For example, Diablo 2 can have all of its unedited music ripped from the game files but inevitably everyone who rips it has a different track order and names them based on the missions in different ways. Do we then just add whatever we judge to be most commonly available?
If it is a rip based on the game files it’s a bit tricky… file name, most common fan name, an official name from another release… I think you can just go with what makes the most sense to you (usually the most common). Hopefully we will eventually have alternate tracklistings where we can just store all the variants on one release.
If the ‘rip’ is a bit more than just copying audio files out of a game download directory, for instance the music needs to be recorded from the game itself using software, or they have been edited, I would use the titles that the rip came with.
For the first example MB is cataloguing the game release itself, including music files contained within, for the second MB is cataloguing something new created by a ripper, including their “artist” (bootlegger, sure) intent. If that makes sense.
I know I’ve been digging up a lot of old topics lately-- sorry if this is a nuisance, but I do have some things I want to bring up here.
If this is the case, then should I split out these releases in to separate groups?
I made both of these, but was very dissatisfied with the limitation of the official release after having played through the game, so I made the bootleg rip version… but according to this:
…these releases are definitely not anywhere near equivalent. I guess maybe I had been misunderstanding the intent of Release Groups? If these should be fixed, I’d be happy to do so, as compared to a lot of other work I’ve done to bring these bootlegs into existence, tossing stuff into a different release group is a cinch.