# Credited as for opera / theatre

**URL:** <https://community.metabrainz.org/t/credited-as-for-opera-theatre/452972>\
**Category:** Style\
**Tags:** attribute-credit, relationships\
**Created:** [November 27, 2019, 8:12am UTC](https://community.metabrainz.org/t/credited-as-for-opera-theatre/452972 "2019-11-27T08:12:35Z")\
**Posts on this page:** 1\
**Showing post:** 5

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**Author:** ![chaban](https://community.metabrainz.org/user_avatar/community.metabrainz.org/chaban/32/111349_2.png) [@chaban](https://community.metabrainz.org/u/chaban)\
**Post date:** [December 4, 2019, 8:09pm UTC](https://community.metabrainz.org/t/credited-as-for-opera-theatre/452972/5 "2019-12-04T20:09:57Z")

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Audio dramas would heavily benefit from a proper method too:

> <https://tickets.metabrainz.org/browse/STYLE-1230>

Another problem is the lack localisation in vocal attribute credits:  
If I were to enter character names in e.g. Japanese people who can’t read Japanese are going to be unhappy and if I were to enter transliterated names those who _do_ know Japanese will be upset.

Maybe [N-point relationships](https://tickets.metabrainz.org/browse/MBS-1159) are the solution?  
Personally I like the “roles” idea by nikki.

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